SciFi Gothic

I watched a lot of TV when I was a kid.  Obviously, I'm not the only one.  It's not the quantity of television shows and movies I'm about to discuss but the quality.  The programming that influenced me during those formative years is worth re-examining.

In the last decade, I've been able to revisit practically all the stuff I watched as a tender scifi/fantasy loving youth.  However, there was one film missing (doubtless, there are a few more out there that I still don't recall)... The Black Hole.  The first PG rated Disney motion picture.

All I remembered of the film, before watching it again last night (and for the first time in 25 years) was a swirling black (blue, actually) hole and a dark red robot with fan blades for hands.  That's it.  So, it's no wonder that it took me so long to seek it out.  I couldn't remember the twisted root, only a couple brightly colored branches!  In fact, I probably would have let even more time elapse if it wasn't for a recent amazon search for Disney movies.  My daughter Briella is two.

Well, seeing it again was like a nostalgia enema.  My initial impression: parallels between The Black Hole and Event Horizon - another fantastic film in the scifi gothic vein.  A long lost ship, thought destroyed, suddenly reappears unharmed but somehow haunted.  I love Event Horizon, so didn't mind the similar set-up.

Gothic to the 9th degree.  Ok, here's how to do scifi gothic:  amidst all the space ships, robots, laser fire, and  assorted cosmic phenomena, characters should talk about at least some of the following: God, heaven, hell, biblical stories, dreams/nightmares, prophecy, destiny/fate, ambition, the unknown, life and death, as well as, what lies beyond.  The atmosphere must be dark and forbidding, too.  Just for good measure, at least one terrible secret must be revealed by the end.

The trick is to juxtapose the new with the old.  The more quantum slingshot calculations referenced, the more an audience must see "medieval" black shrouded androids.  When a character does any spaceship exploration, the decor must be weird and oppressive... as if reflecting the warped mind who built it.  There's a frequent interplay between intellect and emotion, the future and the past, man's optimism and his base realities.

Along with being a scifi nut all these years, I occasionally relate to the megalomaniac diagnosis.  Nothing says scifi gothic like a madman on a mission to godhood.  That's the essence of megalomania, and Dr. Reinhardt has all the classic symptoms.  Just did some google searching for quotes, and couldn't find exactly what I was looking for.  Sure, he talks about the word "impossible" being in the dictionary of fools, going where no man has dared to go before, etc. but where are all the demented, juicy lines which put him on that razor's edge between genius and insanity?  A lot of other characters talk about Dr. Reinhardt when he's not around.  Or maybe the shadows of my mind are playing tricks on me?

I watched it alongside a friend, joking to him that Dr. Reinhardt reminded me of "the most interesting man in the world" from those Dos Equis commercials.  He couldn't help but agree.  There's something fascinating about the character which Maximilian Schell brought to the role.  Those eyes!  Those eyes have seen too far, we cannot follow his gaze.

Additionally, I thought it was interesting how Anthony Perkins' character seemed to gravitate towards the good doctor, almost become infatuated with him without coming right out and declaring their BFF status.  Did that work so well and so subtly because Anthony Perkins was gay?  I merely speculate.  The dinner scene is probably the simplest and most effective of the movie and, ironically, the least science fiction.

So, The Black Hole is another piece of the puzzle to my adult psyche.  I watched it so many times that its distorted themes embedded themselves into my subconscious.  But how much did it shape me as opposed to the idea that humans come pre-shaped or predisposed to certain concepts and aesthetics by the time they stumble upon and connect with something that resonates with them?  Good question.  I don't have an answer.  Perhaps both.

To those who have never seen The Black Hole or haven't seen it in decades, you could do a lot worse.


VS

p.s.  Oh yeah, and Dr. Reinhardt is rewarded for his iron will and presumptuous risk-taking with a suitably satanic compensation.

Unexpected Encounters #4

It's been awhile since I've done one of these... an unexpected encounter, I mean.  DMs can't have too many strange interludes.

The visual came to me first and then I turned it over and over in my mind for a few weeks until I was up against the wall with little to nothing prepared an hour before the game.  Putting fingers to keyboard, I just started typing what I saw in my mind, filtered by campaign appropriateness.

The adventurers enter a room containing the giant stone head of a demon.  It looks as if it was attached to a statue at one point.  Judging from scale, the statue would have stood about 50' tall.  The demon's eyes are unbelievably large, exquisite gemstones worth about 30,000 gold pieces each.  The right a clear blue sapphire, the left a blood sapphire containing a crimson nebula.

Prying out the humongous jewels showed eye-socket holes large enough for a Halfling to fit through.  Within, curious adventurers see a scroll nestled around several thorny black vines.

It's not clear how the statue head got there, where it came from, or any other detail - other than what the DM desires.  The scroll contains the spell Ensoul which allows a magic-user to put the life force or soul of a sentient being into a gemstone.  The vines are monstrous and protect the scroll as if it were their child.  There's a 33% chance per demon eye that a soul has been magically placed inside.

When the scroll is touched by an adventurer, seven Skeleton Warriors are instantly summoned.  They attack the PCs on sight.  For an added element of danger, if any party member is prone or unconscious during combat, the Skeletons pounce upon that victim, tearing the flesh from his bones in a mindless frenzy.  This is an automatic hit for 15 points of damage.

Yeah, this little encounter got a PC killed when a vine (thorns and all) wrapped itself around his face, Hellraiser style, causing him to fall to the floor just before the undead appeared.

Hope you enjoy.  Be sure to add your own little details here and there for that personal touch.  If you use this in your game, please let me know the results.  Thanks!


VS

Modules wanted!

I just read an article / blog post / skyscraper-elevator-pitch for yet another OSR roleplaying game.  Now is the age of power, darkness, sword and sorcery... of fantasy heartbreakers and option overload.  We have almost too many choices out there.  To name but a few...

Dungeon Crawl Classics, Swords & Wizardry, Labyrinth Lord, Monsters & Magic, Castles & Crusades, Microlite74, Adventures Dark & Deep, Astonishing Swordsmen & Sorcerers of Hyborea, Basic Fantasy Roleplaying, OSRIC, Dungeon World, Lamentations of the Flame Princess, etc.  Believe me, I could've gone on and on.

Suffice it to say that DMs and players have a plethora of RPGs to explore.  What sets these apart?  Why play one over the other?  I'm not going to get into that here and now.  Perhaps that's a blog post for another time.  This little piece is about something else...

What does each and every OSR RPG mentioned above need?  Great adventures!  Sure, a talented DM could write his own, week after week, campaign after campaign, gaming group after gaming group.  But that DM could also just make up his own RPG.  Most guys running the game are going to want an interesting module to either riff off, follow religiously, or something in-between.

I say that an old school renaissance war is already upon us, though we realize it not.  Too many games for such a small niche hobby - the OSR community is really a niche within a niche.  Yeah, a microcosm of fantasy roleplaying.  That means (to my way of thinking) that strong scenarios are needed now more than ever.  And, to go even further, the best modules will allow certain games to flourish as others fall by the wayside.

Yes, module-smiths are the new kingmakers!  OSR RPG companies can either create their own adventures, hire people to do it for them, or simply do nothing and allow scenario writers to do their thing with all the open content and copyright-free goings on.  It seems like a symbiotic relationship is forming between the companies creating games and those individuals who are creating adventures.

At the moment, t'were me, I'd much rather be an indie module publisher than a brand new OSR RPG publisher.  But I'm sure that not everyone would agree.  After all, it's still early days.  Let the war rage on!


VS

p.s.  Apparently, there are hundreds of OSR modules out there in cyber-land, and the number keeps growing.  But so does the amount of game systems.  I was giving it some thought last night.  Maybe modules are like songs and RPGs are like record labels.  If one of the two just stopped multiplying, which would we notice?

Beneath the Ruins

This past Saturday was the second night of Beneath the Ruins, an old school minimalist pamphlet by Alex Fotinakes and published by Geoffrey McKinney's Psychedelic Fantasies series (although, an expanded version of Beneath the Ruins is spread out through issues of Alex's Wizards Mutants Laser Pistols zine.

While I preferred the second Psychedelic Fantasies adventure, Within the Radiant Dome, to this one, I still think Beneath the Ruins was a good, solid, OSR mini-module for the kind of Dungeon Master who loves taking the existing bones and building his own skeletal creature - the meat is added whilst playing.  At least, that's how I took it.

Beneath the Ruins has a few cool concepts, but each are explained in a sentence or three.  Any kind of detailed elaboration falls upon the DM.  I'm sure this can either be an exciting thrill-ride or treacherous nightmare, depending on the guy running the game.  For myself, I enjoy the challenge.  And not only that, I enjoy tinkering, adjusting, and adding a whole other dimension (sometimes literally) to the adventure.

Such was the case last session.  An old friend visit the PCs again to ask a favor in return for a uber-powerful magical weapon.  Unfortunately, only one player at the table that night had previously encountered said "old friend".  No matter, since he was the one whose help was required.

For months, I had wanted to set up a kind of wizard's duel.  Now was the time, this was the session!  I didn't have a lot of time to coordinate the logistics of how such a match would be resolved, so I winged it with what seemed appropriate.  The duel was to be a simple as it was deadly.  Both wizards were of equal power, so they made a straight d20 roll to see who came out on top (this round).  The villain won.  Harold's Elf had to make a saving throw vs. death magic.  He did.  Round two saw Terrinel (I never know how to spell his Elf's name) the victor.  Now, it was the antagonist's turn to save vs. death magic.  He failed; the villain turned to ash.  That's old school.

Looking back, I wish I would have illustrated the duel between sorcerers with some vividly purple prose.  But I didn't.  Oh well.  Next time.

Moving on, one of the great battles of that night was against a tentacled beast living beneath a cavern pool with night lotuses floating on top.  A tentacle had to be severed or else it would get an automatic hit the next round.  Then, when all tentacles had been chopped to bits, the creature bit a PC to unconsciousness.  I did, however, go into detail regarding how much could be seen beneath the pond's surface - the water now filled with slime and blood.  It was a cool fight.

After the beast was defeated, Terrinel and the others assumed there was some kind of treasure down at the bottom of the pool.  They waded in, searching for anything discoverable.  I made my usual 33% roll to see if a small magic item - like a ring - was down there.  I rolled too high, meaning that there was nothing.  However, I decided to exercise my DM prerogative and go against my own ruling... mitigated by the fact that the magic ring found was cursed!  Scanning the 1st edition AD&D Dungeon Master's Guide, I happened upon a ring of weakness (or something like that).  That description became the core of their newly acquired cursed ring.

Even though Beneath the Ruins lacks those kinds of surprises, it has some great bones.  I recommend both that and Within the Radiant Dome even though there's no art and no real depth - being only the size of a pamphlet.

How much module do you like to start a session with?  How much do you alter before the game and during?  How spontaneous are you as a DM?  Does that ever get you in trouble?  Of course, some elements depend on PC actions... but can the entire adventure turn on a dime?  Should it?


VS

Make their lives Hell

For starters, let me just say that I still can't get last night's Game of Thrones end scene out of my head.  It pervaded my dreams.  Not sure what made it so disturbing.  After all, I've seen most of Quentin Tarantino's films.  And yet, I have to admit I lost sleep over it - and the sleep I didn't lose kind of freaked me out a little bit.  I don't want to spoil anything, so that's the end of that, but God damn!  Ok, now I'm done.

Last Saturday, I cautioned the players that before reaching 5th level, they would each have to pay 4,000 in gold, services, trade, etc.  As expected, protests were voiced.  "What about all the monster killing we do in the dungeons?"  And, "How come we've never had to pay a mentor for training before?"  To the former, I answered, "Even several minutes a day embroiled in combat doesn't allow one to learn new martial disciplines."  And to the latter, I said, "Because at 5th level your characters are reaching a new tier or power and capabilities.  You've plateaued.  Now, it's time for your characters to break that plateau by paying for expert training.  (I'm probably writing it better than I explained it, actually.)

Well, even though they still had a little ways to go before reaching 5th level, they didn't have the gold.  I patiently, silently waited for their bellyaching to end before explaining the treasure-laded hook for that evening's adventure.  Finally, things settled down and the business of exploring began.

This Saturday (just a few days ago), we had a new guy play.  Before going on my vacation I was asked and agreed to teach an Intro to Roleplaying workshop for the local Geek Meetup group.  Long story short, it went well.  I got a chance to further playtest Liberation of the Demon Slayer, and even got a new player out of the two night workshop.

Being a noob, the new guy (who played a warrior) didn't have any preconceived nonsense or bullshit sense of entitlement.  Sadly, towards the session's conclusion, his character was dismembered by a spell.  An arm and both legs magically cut off and sent flying across the room.  Still alive, he clutched his sword +1 of regeneration.

After the battle, the limbs were gathered up, and thoughts turned towards healing.  Unfortunately, the cleric didn't have the spiritual juice to restore the warrior.  The Elf tried to use a mend spell, but ended up critically failing and causing his own leg to be severed.  Appealing to his deity, the lawful cleric asked for guidance.  "You must sacrifice your hand."  P'tah, the pseudo-Egyptian God of Order replied.

Well, the cleric, Orron, didn't like that answer.  In the meantime, the party's Elf, Tirrynel asked the Dungeon Crawl Classics version of T'sathoggua for help.  T'sathoggua spoke to the Elf, telling him to sacrifice the cleric to him.  Being chaotic (and without both his legs), Tirrynel, decided the Toad God was making sense.  He whispered a quick plan of attack, "Sacrifice the cleric."  to his Dwarf character (everyone but the new guy was running two characters), and some inter-party aggression began.

For whatever reason, I couldn't suppress my laughter.  This is the first time in however many sessions (20 or so?) that PCs came to blows.  It all seemed inevitable while, at the same time, being eminently avoidable.  Regardless of whether it was warranted, laugh I did.  Infectious laughter, and Tirrynel's player joined in - or perhaps I had joined in with his infectious laughter.

Orron was driven out, running rather than fighting or doing anything to stop the presumed ass-kicking-to-come.  He still did not accept that giving up his hand in exchange for re-attaching 4 limbs (3 for the warrior and 1 for the Elf) was a fair trade.  Nearly getting impregnated by a burrowing worm's pre-fertilized eggs, the cleric managed to find his way out of the dungeon.

That's all we had time for.  Normally, we stop between 11:30pm - midnight.  That session didn't end until 12:30am because of the heightened dramatic tension which we all wanted resolved.  Plus, this was new territory - we were curious to see what would happen next.

As of now, I don't know the cleric's future.  I haven't received anything from the player, and just sent a text asking him about what he wants to do.  The cleric might decide to go off on his own, come crawling back to the party, or seek revenge.  Time will tell.

Incidentally, this was the first or possibly second time the adventurers came up against an enemy with anti-magic.  That, a dismembering wizard, and a few 2 HD humans running around with laser pistols really gave the party a run for its money.  I'll talk about the old school module "Beneath the Ruins" I ran after next Saturday; not sure if it will conclude by then, but we'll be real close if not finished.

So, what do you think?  After he tries and fails, should a cleric be expected to sacrifice a valuable magic item, body part, or considerable amount of gold in order to work miracles?  How about the magic-user?  How do you handle in-party fighting?  What would you plan for next time regarding the current situation - anything specific... would you wait to hear from the cleric's player?  What about stepping in to arbitrate or negotiate things even though no one has asked you to?

The title of this blog post is, "Make their lives Hell" for a reason.  I feel it's the Dungeon Master's job to provide challenges - that means coming up with and unleashing tricky situations, formidable opponents, and mysterious encounters upon the PCs every week.  Some of which has unexpected consequences.  Things occasionally get crazy.  That's part of the old school renaissance, the non-standardization of gaming which allows, in one game, individuals doused in giant pink psionic snail slime to repel magical fire; while, in another game, giant pink psionic snails don't exist!

Also, I should note, that it's not all hellish.  DMs have two faces (or is it three?), the one doling out awesome loot and making the adventurers look all heroic by narrating the bloody defeat of their long-suffering enemies.

Comments welcome!

VS

Nudity in gaming books - what's too risque?

This is intended to be a dark module.  Indeed, there are going to be some mature themes sprinkled throughout Liberation of the Demon Slayer.

As an artist, I can judge for myself what the module should include or try and stay away from.  I'm a believer in artistic expression, freedom, and all that jazz. However, the artist should keep his audience in mind.

I'm not just creating this fantasy RPG adventure for my benefit.  I expect it to be used and enjoyed by those who like old school, Lovecraftian, science fantasy, gonzo mega-dungeons.  That's why I wanted to open up the floor, to get opinions on what's tastefully adult-oriented... and what's beyond the pale.

LotDS won't include anything hardcore or triple x; you won't see people actually having sex, erect (or even flacid) penises, spread-open vaginas, etc.  Nothing like that.  However, there will be boobs and butts!  As for pubic hair... that's up to you guys.

The image here on the right is, in my humble view, kind of on the border.  Personally, I like it.  The artist goes by iguana on Deviant Art.  He drew it.  I can go back and ask him to put tiny black thongs on those slave girls.  Should I?

I encourage you to voice your opinion.  What do you think - is this too risque?  Am I in danger of offending lots of OSR individuals?  Or does this herald a new retro-age of sword & sorcery exploitation pulp?  Thanks for your feedback!

VS

Liberation of the Demon Slayer ~ update #3

Things are really coming along.  I've gone through and made everything easier to read/find.  Good organization will help make for a good layout.  When a DM is frantically scanning a few paragraphs for someone's name or magic item, he doesn't want a lot of clutter.

There's a balancing act between flavor and minimalistic details.  I don't want to bog down a room or NPC with lots of unnecessary information, but on the other hand I think it helps to have some background, as well as, a few contextual dashes of imagery so everyone at the table can "see" what is going on or who is being described.  I'm trying to find that balance.

A lot of great art is coming in.  The image to the right is from Silvia Gonzalez.  It's only a sketch of a female Dark Elf.  Can't wait to see the finished work.

You've seen two work-in-progress photos of the front cover (see the last two LotDS updates).  I have the final image, but am waiting to show it.  Perhaps I won't unveil it until the book is out...  Some fantastic interior artwork has reached my hands, too.  I'll be showcasing some of that in updates to come.

I found a map guy, although we haven't corresponded much.  Do other publishers find a backup person - an understudy if you will - to fill a role just in case the original person backs out or whatever?  I've been wondering that.  I contacted more artists than I needed because I knew a few would get busy with other projects, decide I wasn't paying enough, flake-out, etc.  Hopefully, I found the right ratio and the book doesn't have too much art or not enough (can it have too much?).

What else?  I'm running 2 LotDS events using the Dungeon Crawl Classics RPG as an engine at a local table-top gaming convention in Madison, WI.  It's called GameHole.  I'm excited about that.  Here's the link:  http://www.gameholecon.com/

Oh yeah, Tim Snider has been kind enough to do a last light edit of the manuscript before we move too far into the publishing part of the process.  He's looking at the 99% completed version now.

Thanks for your support!  I really hope Liberation of the Demon Slayer is something that shines in the vast field of old school D&D type adventures.  Keep coming back for more updates.

VS

When gaming groups get too comfortable

"My Elf opens up the portal above the village of the Blue-Men, walks over to it, pulls down his pants, and attempts to poop on the head of a Blue-Man."  *

That was more or less an actual quote from the table at last Saturday's game.  If it had been just a funny comment, then I wouldn't have given it much thought.  But no, this was the Player Character's sincere desire.

When first confronted with the plan-of-action, I didn't know what to think.  Creative?  Yes.  Amusing?  Sure.  Consistent with the familiar tropes of sword & sorcery?  Not so much.

Sometimes, our gaming group has a new guy, occasionally there's a female present.  This particular session had neither of those.  It was just four dudes who have been friends for awhile.

Yes, our gaming group has gotten to that point.  Of course, not every session containing just the four of us is going to get silly and immature, but there's a chance... and last Saturday night I wondered if an imaginary line had been crossed.

One of the problems is this: it's infectious.  Later that night, I was not immune to lighthearted shenanigans.  As DM, I was using the whispered voice of a creepy Styx-like gondola driver NPC.  One of the characters persisted with questions.  He was being a little over-cautious, and seemingly slowing down the game.  After wading through a number of his questions, I responded with (using the same vocal tone), "Stop being such a pussy and get in the boat."

Everyone laughed.  It was a funny line delivered in an amusing way.  Upon which, the PCs hopped onto the gondola so the adventure proper could begin.  Did my joke detract from the seriousness of the game or the intensity with which our collaborative imaginations kept the game world alive?  I don't know.  Normally, I restrain myself from such things.  That time, in lieu of the portal pooping incident, I decided not to hold back.

GMs have to weigh those decisions carefully.  How far is too far?  Is a jokey atmosphere a good thing to be encouraged?  Actively discourage with a sobering word?  Should the GM join in with the players' hooting and hollering, or is unspoken suppression of juvenile levity a necessary evil?  Do the best GMs strike some kind of balance?

If your gaming group has ever experienced a disturbing level of comfort where anything can and usually will be said during a session, then comment.  I want to read about what happened, and if it became an issue at some point.

VS

*  "Oh, shit!  Venger's fantasy game.  There goes Carcosa."  ~  Not an actual line from Space Balls.

Liberation of the Demon Slayer - update #2

Not much has happened since I just got back from vacation last night, but there has been progress.  The editing continues... should have a completed manuscript around June 1st, then layout, adding interior artwork (which is starting to filter in - some of it is really great!), a bit more tweaking, and hopefully it will be finished sometime in August.

Faustie has been working on the front cover.  This is his latest version on the right.  I've given him a few notes for changes, but the finished product will look similar to this.  He's going to take a couple days off and then get working on the back cover.

Incidentally, Shane Ward came up with his own layout for Liberation of the Demon Slayer - two different versions.  Email me if you want to check that out, I'll send you the PDF.  Keep in mind that it's not the latest edit of the manuscript, nor will it necessarily resemble the format of the final product.  Enough of the update.  Now, I'm going to write a little about my trip from an old school gamer's perspective.

Disney World is just as fun, fantastical, and occasionally frustrating as it was 30 years ago.  If there was an RPG based on Disney, then there would be three main classes:  princess, pirate, and wizard.  And together these characters would explore the jungles of Africa, the Devil-monkey worshiping mountains of Asia, futuristic mountains of nebula-warping, Carribean coves, and the storybook lands of fairy tales.

Seeing all that stuff again decades later was amazing.  I got to go on most of the rides I remembered from my childhood.  Sure, a few things changed.  Johnny Depp is prominently featured in Pirates of the Carribean.  Mr. Toad's wild ride is simply gone.  And there's a bright and flashy new Little Mermaid ride.  And, of course, many things stayed exactly the same, like it's a small world after all.

This isn't unlike the old school passion, nostalgia, and gaming principles of Dungeons & Dragons and similar roleplaying games.  There are pieces of rules or rulings we fondly remember from years and years ago.  Things we wish wouldn't change.  Maybe it's saving throws or d6 weapon damage despite what is being wielded.  Improvements have been made, fancy expensive improvements.  Some of which actually make the game better... other "improvements" seem to detract from it - based on our own subjective views.  Additionally, there are the elements we remember as cool decades ago, but have since lost their luster.

Anyways, going back to Disney World was a blast from the past.  I got to go on Space Mountain - something I always wanted to do when my parents and I went to the Magic Kingdom, but never did.  On the one hand, it probably didn't have the same effect on me as an adult that it would have had on me as a kid.  On the other, I was totally in touch with the aeons-old vibe.  Like seeing an Erol Otus illustration I've never seen before but still have an old school nostalgic love for because his aesthetic came from a certain place and time.  Indeed, I had a similar timeless enthusiasm for all the neato scifi imagery of the mid 1970's.

Space Mountain is actually the oldest rollercoaster in Florida (I just looked it up).  It was refurbished (including complete replacement of the ride trains in 1989 and 2009). So, even when something looks like age hasn't touched it or retains a retro style, it might still have modernized parts or a contemporary philosophy or paradigm attached to it.  And vice-versa.  Some visions are incredibly old, yet done in a totally contemporary way.

Besides that, I got a lot of ideas brewing inside my head for current adventures and future campaigns, everything from meteor storms that make dinosaurs frenzy to primitive wood-carved leopard stools to king-making swords lodged in stone.


VS